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|The Pink Panther|
Theatrical release poster by Jack Rickard
|Directed by||Blake Edwards|
|Produced by||Martin Jurow|
|Music by||Henry Mancini|
|Edited by||Ralph E. Winters|
|Distributed by||United Artists|
|Box office||$10.9 million (North America)|
The Pink Panther is a 1963 American comedy film directed by Blake Edwards and co-written by Edwards and Maurice Richlin, starring David Niven, Peter Sellers, Robert Wagner, Capucine and Claudia Cardinale. The film introduced the cartoon character of the same name, in an opening credits sequence animated by DePatie-Freleng Enterprises.
As a child in Lugash, Princess Dala receives a gift from her father, the Maharajah: the “Pink Panther”, the largest diamond in the world. This huge pink gem has an unusual flaw: looking deeply into the stone, one perceives a tiny discoloration resembling a leaping panther. Twenty years later, Dala (now played by Claudia Cardinale) has been forced into exile following her father’s death and the subsequent military takeover of her country. The new government declares her precious diamond the property of the people and petitions the World Court to determine ownership. However, Dala refuses to relinquish it.
Dala goes on holiday at an exclusive ski resort in Cortina d’Ampezzo. Also staying there is English playboy Sir Charles Lytton (David Niven)—who leads a secret life as a jewel thief called “the Phantom”—and has his eyes on the Pink Panther. His charming American nephew George (Robert Wagner) arrives at the resort unexpectedly. George is really a playboy drowning in gambling debts, but poses as a recent college graduate about to enter the Peace Corps so his uncle continues to support his lavish lifestyle.
On the Phantom’s trail is French police detective, Inspector Jacques Clouseau (Peter Sellers), whose wife Simone (Capucine) is having an affair with Sir Charles. She has become rich by acting as a fence for the Phantom under the nose of her amorous but oblivious husband. She dodges him while trying to avoid her lover’s playboy nephew, who has decided to make the seductive older woman his latest conquest. Sir Charles has grown enamored of Dala and is ambivalent about carrying out the heist. The night before their departure, George accidentally learns of his uncle’s criminal activities.
During a costume party at Dala’s villa in Rome, Sir Charles and his nephew separately attempt to steal the diamond, only to find it already missing from the safe. The Inspector discovers both men at the crime scene. They escape during the confusion of the evening’s climactic fireworks display. A frantic car chase through the streets of Rome ensues. Sir Charles and George are both arrested after all the vehicles collide with one another in the town square.
Later, Simone informs Dala that Sir Charles wished to call off the theft and asks her to help in his defense. Dala then reveals that she stole the diamond herself, to avoid turning it over to the new government of her homeland. However, the Princess is also smitten with Sir Charles and has a plan to save him from prison. At the trial, the defense calls as their sole witness a surprised Inspector Clouseau. The barrister (John Le Mesurier) asks a series of questions that suggest Clouseau himself could be the Phantom. An unnerved Clouseau pulls out his handkerchief to wipe the perspiration from his brow, and the jewel drops from it.
As Clouseau is taken away to prison, he is mobbed by a throng of enamored women. Watching from a distance, Simone expresses regret, but Sir Charles reassures her that when the Phantom strikes again, Clouseau will be exonerated. Sir Charles invites George to join them on the Phantom’s next heist in South America. Meanwhile, on the way to prison, the Roman police express their envy that Clouseau is now desired by so many women. They ask him with obvious admiration how he committed all of those crimes; Clouseau considers his newfound fame and replies, “Well, you know… it wasn’t easy.”
The film ends after the police car carrying Clouseau to prison runs over a traffic warden—the cartoon Pink Panther from the animated opening credits. He gets back up, holding a card reading THE END.
- David Niven as Sir Charles Lytton
- Peter Sellers as Inspector Jacques Clouseau
- Robert Wagner as George Lytton
- Capucine as Simone Clouseau
- Claudia Cardinale (Gale Garnett, uncredited voice) as Princess Dala
- Brenda De Banzie as Angela Dunning
- Colin Gordon as Tucker
- John Le Mesurier as Defense attorney
- James Lanphier as Saloud
- Guy Thomajan as Artoff
- Michael Trubshawe as Felix Townes
- Riccardo Billi as Aristotle Sarajos
- Meri Welles as Monica Fawn
- Martin Miller as Pierre Luigi
- Fran Jeffries as Ski Lodge singer
The film was “conceived as a sophisticated comedy about a charming, urbane jewel thief, Sir Charles Lytton”. Peter Ustinov was “originally cast as Clouseau, with Ava Gardner as his faithless wife in league with Lytton”. After Gardner backed out (the Associated Press reported in November 1962 it was because The Mirisch Company wouldn’t meet all her demands), Ustinov also left the project, and Blake Edwards then chose Sellers to replace Ustinov. Janet Leigh turned down the lead female role, as it meant being away from the United States for too long.
The film was initially intended as a vehicle for Niven, as evidenced by his top billing. As Edwards shot the film, employing multiple takes of improvised scenes—it became clear that Sellers, originally considered a supporting actor, was stealing the scenes and thus resulted in his continuation throughout the film’s sequels. When presenting at a subsequent Academy Awards ceremony, Niven requested his walk-on music be changed from the “Pink Panther” theme, stating, “That was not really my film.”
The film was shot in Cortina d’Ampezzo, Rome and Rocca di Papa; Paris, France; and Los Angeles, U.S., using the Technirama process in an aspect ratio of 2.20:1. According to the DVD commentary by Blake Edwards, the chase scene at the piazza (filmed at Piazza della Repubblica in Rocca di Papa) was a homage to a similar sequence 26 minutes into Alfred Hitchcock‘s Foreign Correspondent (1940).
The movie was a popular hit, earning estimated North American rentals of $6 million.
Bosley Crowther of The New York Times wrote, “Seldom has any comedian seemed to work so persistently and hard at trying to be violently funny with weak material”; he called the script a “basically unoriginal and largely witless piece of farce carpentry that has to be pushed and heaved at stoutly in order to keep on the move.” Variety was much more positive, calling the film “intensely funny” and “Sellers’ razor-sharp timing … superlative.”
In a 2004 review of The Pink Panther Film Collection, a DVD collection that included The Pink Panther, The A.V. Club wrote:
Because the later movies were identified so closely with Clouseau, it’s easy to forget that he was merely one in an ensemble at first, sharing screen time with Niven, Capucine, Robert Wagner and Claudia Cardinale. If not for Sellers’ hilarious pratfalls, The Pink Panther could be mistaken for a luxuriant caper movie like Topkapi … which is precisely what makes the movie so funny. It acts as the straight man, while Sellers gets to play mischief-maker.
|The Pink Panther|
|Soundtrack album by Henry Mancini|
|Recorded||September 16, 1963–September 18, 1963|
|Henry Mancini chronology|
The soundtrack album was released on RCA Victor, and consisted of music written by Henry Mancini, performed by his orchestra. In 2001, the soundtrack album was awarded a Grammy Hall of Fame Award. In 2005, the score was listed at #20 on AFI’s 100 Years of Film Scores.
|1.||“The Pink Panther Theme“||Henry Mancini||2:37|
|2.||“It Had Better Be Tonight (Meglio Stasera)” (instrumental version)||Henry Mancini||1:46|
|3.||“Royal Blue”||Henry Mancini||3:11|
|4.||“Champagne and Quail”||Henry Mancini||2:45|
|5.||“The Village Inn”||Henry Mancini||2:36|
|6.||“The Tiber Twist”||Henry Mancini||2:50|
|1.||“It Had Better Be Tonight (Meglio Stasera)” (vocal version)||Henry Mancini & Johnny Mercer||1:57|
|3.||“The Lonely Princess”||Henry Mancini||2:28|
|4.||“Something for Sellers”||Henry Mancini||2:49|
|5.||“Piano and Strings”||Henry Mancini||2:38|
|6.||“Shades of Sennett”||Henry Mancini||1:26|
- “The Pink Panther (1963)”. The Numbers. Nash Information Services. Retrieved July 12, 2012.
- Morgan, David (December 28, 2010). “‘Empire Strikes Back’ among 25 film registry picks”. CBS News. CBS Interactive. Retrieved December 28, 2010.
- Barnes, Mike (December 28, 2010). “‘Empire Strikes Back,’ ‘Airplane!’ Among 25 Movies Named to National Film Registry”. The Hollywood Reporter. Prometheus Global Media. Retrieved December 28, 2010.
- “The Pink Panther (1964): Overview”. Turner Classic Movies. WarnerMedia. Retrieved September 2, 2010.
- Thomas, Bob (November 17, 1962). “Stars’ Salaries The Biggest Gripe”. The Daytona Beach News-Journal. Associated Press. p. 5. Retrieved September 2, 2010 – via Google News.
- Barnes, David (1997). “Janet Leigh Interview”. Retrosellers. Archived from the original on September 27, 2011.
- Morley, Sheridan (1985). The Other Side Of The Moon: The Life of David Niven. New York: HarperCollins. ISBN 9780060154707.
- Neal Gabler, opening comments from Reel Thirteen, WNET-TV.
- “Big Rental Pictures of 1964”. Variety. Penske Business Media. January 6, 1965. p. 39. Retrieved July 17, 2018. Please note this figure is rentals accruing to distributors not total gross.
- Crowther, Bosley (April 24, 1964). “Screen: Sellers Chases a Jewel Thief; Pink Panther’ Opens at Music Hall”. The New York Times. The New York Times Company. Retrieved September 2, 2010.
- Variety Staff (December 31, 1963). “The Pink Panther”. Variety. Penske Business Media. Archived from the original on February 21, 2009. Retrieved September 2, 2010.
- Tobias, Scott (April 5, 2004). “The Pink Panther Film Collection”. The A.V. Club. The Onion. Retrieved September 2, 2010.
- “The Pink Panther (1963)”. Rotten Tomatoes. Fandango Media. Retrieved July 17, 2018.