The First Great Train Robbery
|The Great Train Robbery|
Theatrical release poster by Roger Kastel
|Directed by||Michael Crichton|
|Produced by||John Foreman|
|Screenplay by||Michael Crichton|
|Based on||The Great Train Robbery
by Michael Crichton
|Music by||Jerry Goldsmith|
|Edited by||David Bretherton|
|Distributed by||United Artists|
In 1855 Edward Pierce (Sean Connery), a charismatic member of London’s high society, is secretly a master thief. He plans to steal a monthly shipment of gold from the London to Folkestone train which is meant as payment for British troops fighting in the Crimean War. The gold is heavily guarded in two heavy safes in the baggage car, each of which has two locks, requiring a total of four keys. Pierce recruits Robert Agar (Donald Sutherland), a pickpocket and screwsman. Pierce’s mistress Miriam (Lesley-Anne Down) and his chauffeur Barlow (George Downing) join the plot, and a train guard, Burgess, is bribed into participation. The executives of the bank who arrange the gold transport, the manager Mr. Henry Fowler (Malcolm Terris) and the president Mr. Edgar Trent (Alan Webb), each possess a key; the other two are locked in a cabinet at the offices of the South Eastern Railway at the London Bridge train station. In order to hide the robbers’ intentions, wax impressions are to be made of each of the keys.
Pierce ingratiates himself with Trent by feigning a shared interest in ratting. He also begins courting Trent’s spinster daughter, Elizabeth (Gabrielle Lloyd), to learn the location of her father’s key. Pierce and Agar successfully break into Trent’s home at night, and make a wax impression of the key before making a clean getaway despite a close call with the butler.
Pierce targets Fowler through his weakness for prostitutes. Miriam reluctantly poses as “Madame Lucienne”, a high-class prostitute in an exclusive bordello. Miriam meets Fowler and asks him to undress, forcing him to remove the key worn round his neck. While Fowler is distracted by Miriam, Agar makes an impression of his key. Pierce then arranges a phoney police raid to rescue Miriam, forcing Fowler to flee to avoid a scandal.
The keys at the train station prove a much harder challenge. After a diversionary tactic with a child pickpocket fails because Agar cannot locate the two Chubb safe keys in the key cabinet, much less wax them in the time available, Pierce decides to use cat burglar Clean Willy (Wayne Sleep) to climb the station’s wall, climb down into the station, enter the office via a small hatch in the office ceiling, and open the office door and the key cabinet from within. Because Clean Willy is incarcerated at Newgate Prison, Pierce and Agar first have to break him out, using a public execution as a distraction. With Willy’s help, the criminals succeed in taking wax impressions of the keys without detection when the night guard takes a scheduled restroom break.
Clean Willy is subsequently arrested after being caught in the act pick-pocketing and informs on Pierce. The police use Willy to lure Pierce into a trap, but the master cracksman easily eludes capture. Clean Willy escapes from his captors but is murdered by Barlow on Pierce’s orders. The authorities, now aware that the robbery is imminent, increase security by having the baggage car padlocked from the outside until the train arrives at its destination and forbidding passengers to travel in the guard’s van. Any container large enough to hold a man must be opened and inspected before it is loaded on the train.
Pierce smuggles Agar into the baggage car disguised as a corpse in a coffin. Pierce plans to reach the car across the coach roofs while the train is under way, but he and Miriam encounter Fowler, who is riding the train to Folkestone to watch over the shipment. After arranging for Miriam to travel in the same compartment as Fowler to divert his attention, Pierce crosses the roof of the train and unlocks the baggage van’s door from the outside. He and Agar replace the gold with lead bars and toss the bags of gold off the train at a prearranged point. However, soot from the engine’s smoke has stained Pierce’s clothes and he is forced to borrow Agar’s suit, which is much too small for him. The jacket splits across the back when he disembarks at Folkstone. The police quickly become suspicious and arrest him before he can re-join his accomplices.
Pierce is put on trial for the robbery. As he exits the courthouse, he receives the adulation of the crowds, who consider him a folk hero for his daring act. In the commotion, a disguised Miriam kisses him full on the mouth, in the process slipping him a key to his handcuffs from her mouth to his. Agar is also present, disguised as a police van driver. As Pierce is about to be put into the wagon, he frees himself and he and Agar escape, to the jubilation of the crowd and the chagrin of the police.
- Sean Connery as Edward Pierce
- Donald Sutherland as Agar
- Lesley-Anne Down as Miriam
- Alan Webb as Trent
- Malcolm Terris as Henry Fowler
- Robert Lang as Sharp
- Michael Elphick as Burgess
- Wayne Sleep as Clean Willy
- Pamela Salem as Emily Trent
- Gabrielle Lloyd as Elizabeth Trent
- George Downing as Barlow
- James Cossins as Harranby
- André Morell as Judge
- Peter Benson as Station Master
- Janine Duvitski as Maggie
Film rights to the novel were bought in 1975 by Dino de Laurentiis. In 1977 it was announced the film would be made in Ireland by American International Pictures with Sean Connery and Jacqueline Bisset.
Crichton deliberately varied the film from his book. He said “the book was straight, factual but the movie is going to be close to farce.”
Sean Connery originally turned down the film after reading the script, judging it “too heavy.” He was asked to reconsider, read the original novel, met Crichton, and changed his mind.
Sean Connery performed most of his own stunts in the film, including the extended sequence on top of the moving train. The train was composed of J-15 class 0-6-0 No 184 of 1880, with its wheels and side rods covered and roof removed, leaving only spectacle plate for protection to give it a look more akin to the 1850s and coaches that were made for the film from modern railway flat wagons. Connery was told that the train would travel at only 20 miles per hour during his time on top of the cars. However, the train crew used an inaccurate means of judging the train’s speed. The train was actually doing speeds of 40 to 50 miles per hour. Connery wore soft rubber soled shoes and the roofs of the carriages were covered with a sandy, gritty surface. Connery actually slipped and nearly fell off the train during one jump between two carriages, and had difficulty keeping his eyes free of smoke and cinders from the locomotive.
One error can be seen in the Bateson’s Belfry sequence. When the lid is wrenched off the casket and Lesley-Anne Down bends in to pull out her “brother,” Donald Sutherland’s eyes twitch from left to right.
Heuston Station in Dublin stood in for ‘London Bridge’ station in the film. During the filming at the station, a diesel locomotive leaked a large quantity of fuel onto the tracks by the platform. When the production company’s steam engine rolled onto the same tracks, embers dropping from the underside of the locomotive ignited the fuel soaked track, momentarily producing a very large fire within the station.
Origins of the plot
The film’s plot is loosely based on the Great Gold Robbery of 1855, in which a cracksman named William Pierce engineered the theft of a trainload of gold being shipped to the British Army during the Crimean War. The gold shipment of £12,000 (equal to £1,029,140 today) in gold coin and ingots from the London-to-Folkestone passenger train was stolen by Pierce and his accomplices, a clerk in the railway offices named Tester, and a skilled screwsman named Agar. The robbery was a year in the planning and involved making sets of duplicate keys from wax impressions for the locks on the safes, and bribing the train’s guard, a man called Burgess.:210 Crichton, the author of the book and the screenplay, was inspired by Kellow Chesney’s 1970 book The Victorian Underworld, which is a comprehensive examination of the more sordid aspects of Victorian society.
In his screenplay Crichton based his character “Clean Willy” Williams on another real-life character from Chesney’s book, a housebreaker named Williams (or Whitehead) who, sentenced to death in Newgate Prison, escaped from prison by climbing the 15-meter (50-ft.) tall sheer granite walls, squeezing through the revolving iron spikes at the top, and climbing over the inward projecting sharp spikes above them before making his escape over the roofs.:187 The only completely fictional character in the film is Miriam (Lesley-Anne Down).
Although set in London and Kent, most of the filming took place in Ireland. In particular, the final scenes were filmed in Trinity College, Dublin and Kent railway station in Cork. The scenes on the moving train were filmed on the Mullingar to Athlone railway line (now closed) around the Athlone/Moate area. The train driver was John Byrne from Mullingar (now deceased).
The two locomotives which featured were both J-15 0-6-0’s, No 184 of 1880, and No 186 of 1879.
The film’s soundtrack was written by Oscar-winning composer Jerry Goldsmith. The score was his third collaboration with writer/director Michael Crichton following Pursuit (1972) and Coma (1978). The music for two pianos played by the characters Elizabeth (Gabrielle Lloyd) and Emily Trent (Pamela Salem) is from the third movement of Mozart’s Sonata for Two Pianos in D major, K. 448 Molto Allegro.
The Great Train Robbery has a critical rating of 78% on Rotten Tomatoes. The site’s critics praised the film’s comedic tone, action sequences, and Victorian details. Variety wrote that “Crichton’s film drags in dialog bouts, but triumphs when action takes over.” Roger Ebert of the Chicago Sun-Times singled out Connery, writing that the actor “is one of the best light comedians in the movies, and has been ever since those long-ago days when he was James Bond.” Vincent Canby of The New York Times praised director Crichton’s “amplitude…in this visually dazzling period piece,” and that “the climactic heist of the gold, with Mr. Connery climbing atop the moving railroad cars, ducking under bridges just before a possible decapitation, is marvelous action footage that manages to be very funny as it takes your breath away.”
- Edgar Award, Best Motion Picture Screenplay, 1980 — Michael Crichton
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