Warlock (1959 film) – About

Warlock (1959 film)

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Warlock
Warlock 1959.jpg

Film poster
Directed by Edward Dmytryk
Produced by Edward Dmytryk
Written by Robert Alan Aurthur
based on the novel by
Oakley Hall
Starring Richard Widmark
Henry Fonda
Anthony Quinn
Dorothy Malone
Dolores Michaels
Music by Leigh Harline
Cinematography Joseph MacDonald
Edited by Jack W. Holmes
Distributed by 20th Century Fox
Release date
  • April 1, 1959
Running time
122 minutes
Country United States
Language English
Budget $2.4 million
Box office $1.7 million (est. US/ Canada rentals)

Warlock is a 1959 American western film directed by Edward Dmytryk and starring Richard WidmarkHenry FondaAnthony Quinn and Dorothy Malone. The film is both set and filmed in Utah, including at Dead Horse Point State ParkArches National Park, Professor Valley in Moab as well as White’s Ranch – Milepost 14 Utah Hwy 128, Moab (which was also a set for a number of other western films from the same era). The picture is an adaptation of the novel Warlock by American author Oakley Hall.

Fonda portrays Clay Blaisedell, a freelance marshal in the fictional town of Warlock with implacable methods of dealing with troublemakers. A subplot centers on Blaisedell’s club-footed assistant, Tom Morgan, played by Quinn, who has sublimated his relationships and ambition into a warped devotion to Blaisedell, the only person Morgan thinks does not look down on him for his disability.

As in the earlier film Wichita (1955), the conflict of the law with the outlaw runs parallel to the resentment of the town’s own leadership.

Plot

Warlock is a small Utah mining town of the early 1880s. Cowboys working for Abe McQuown often come into town, killing on a whim, and beating or humiliating any deputy sheriff who tries to stand up to them. The Citizens’ Committee decides to hire Clay Blaisedell, a renowned gunfighter, as town marshal in spite of the misgivings of some, such as old Judge Holloway. The town is not incorporated and does not have authority to have its own marshal.

Blaisedell arrives with his devoted clubfooted friend, Tom Morgan, himself an expert gunman. Morgan has a reputation as a heavy-drinking gambler, but Blaisedell insists that he is part of the package.

Their first encounter with McQuown’s men is without bloodshed. The cowboys are intimidated by Blaisedell, and one, Johnny Gannon, stays behind because he has become sick of their murderous ways.

Morgan learns that his old flame, Lily Dollar, is coming to town on the stagecoach, accompanied by Bob Nicholson, brother of Big Ben Nicholson, who was recently killed by Blaisedell. Lily had left Morgan for Big Ben and knows that Morgan pushed Ben into challenging Blaisedell, who killed him. She wants Blaisedell dead to punish Morgan.

Morgan sets out to meet the stagecoach, but sees from a distance it being robbed by some of McQuown’s men. He takes advantage of the situation to kill Bob Nicholson unseen. Lily arrives in town and sees Morgan there. She believes that he pulled the trigger.

The robbers are arrested without incident by Blaisedell and a posse. Before taking them to Bright City for trial, the sheriff, who disapproves of Blaisedell, accepts Gannon’s offer to become Warlock’s new resident deputy.

The robbers, one of whom is Gannon’s younger brother Billy, are cleared by a jury intimidated by McQuown. The cowboys, led by Billy, immediately confront Blaisedell and Morgan in the street. The deputy asks them to leave and tells Billy, “I ain’t backin’ him, because you’re my brother, and I ain’t backin’ you, because you’re wrong.” A cowboy tries to shoot Blaisedell in the back, but is spotted by Morgan and shot. Blaisedell kills two others, including Billy, after giving him a chance to back down. McQuown’s smooth-talking man Curley posts wanted notices for Blaisedell, declaring the cowboys “regulators” in mockery of his quasi-legal status. Gannon vows to stop any regulators who come into town, and McQuown angrily stabs him in his gun hand.

Townspeople begin resenting Blaisedell and Morgan, exactly as Blaisedell had predicted. However, he has started a relationship with Jessie Marlow and decides to marry and settle down, much to the surprise of Morgan, who wants to move on.

Despite his injured hand, Gannon faces the cowboys alone after Morgan pulls a gun on Blaisedell, who had volunteered to back the deputy. With help from the citizens and from Curley, who promised him “a fair fight”, Gannon unexpectedly kills McQuown and breaks up the regulators for good. Morgan cannot tolerate the idea that Gannon is now more of a hero than Blaisedell, and he resents Lily’s attraction to the deputy, too. In the course of an argument, Blaisedell learns the truth about the deaths of the Nicholson brothers and turns his back on Morgan.

That evening, in a drunken state, Morgan calls Gannon out, intending to kill him. Blaisedell locks the deputy in his own cell, insisting, “Tom Morgan’s my responsibility.” Initially content to seem cowed, Morgan is pleased Blaisedell is a hero again, but when townspeople jeer and mock Morgan as he walks away, he challenges Blaisedell to a showdown. Morgan shoots off Blaisedell’s hat before being fatally wounded a split-second later. Morgan’s dying words are, “I won, Clay, I won!”

A grief-stricken Blaisedell carries his friend’s body into the saloon, which he burns down. Gannon tells Blaisedell that he will arrest him in the morning if he does not leave town. Blaisedell decides to leave. Jessie refuses to accompany him. The next day, Gannon and Blaisedell face one another. Blaisedell outdraws Gannon, but then throws his famous golden-handled revolvers into the sand, smiles at Gannon and rides away.

Cast

Production

Released by Twentieth Century Fox and shot in DeLuxe Color and CinemaScope, the film was adapted from Hall’s novel for the screen by Robert Alan Aurthur. Parts of the film were shot at Dead Horse Point, Kings Bottom, Professor Valley, Arches National Park, and Sand Flats in Utah.

References

  1. ^ Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN 978-0-8108-4244-1. p252
  2. ^ “1959: Probable Domestic Take”, Variety, 6 January 1960 p 34
  3. ^ D’Arc, James V. (2010). When Hollywood came to town: a history of moviemaking in Utah (1st ed.). Layton, Utah: Gibbs Smith. ISBN 9781423605874.

External links

 

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